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Tone Down Highlights

 

Sometimes the only thing that keeps a good portrait from being a great portrait is a little too much shine on the skin. Here’s a quick and easy way to tone down those highlights.

Start Finish

Step 1
Step 1
Open the image, and add a new layer by tapping on the Add layer icon at the bottom of the Layers palette. Name the layer “tone down”, and set the layer’s Blending mode to Darken.

Step 2
Step 2
Next, select the Healing Brush tool (Photoshop CS2 users, make certain it’s the Healing brush and not the Spot Healing tool). Set the tool to Use All Layers, and then sample by holding down the option/alt key and tapping on a non-glare skin area. Let go of the option/alt key, and paint over the glare area. Since the corrections are on their own layer, you can easily correct any mistakes by erasing or layer masking.

Step 3
Step 3
Pull the opacity of the tone down layer by sliding the opacity arrow to the left until the glare areas look perfect. Congratulations– now even if your subjects get nervous in front of the camera, you can still make them look cool as a cucumber with Photoshop.

3 Comments

  1. Felipe said on — April 3, 2008 @ 7:47 pm

    Wwwheeeeeeeewww….!!! you saved my life. I’m not a Photoshop expert, and this is EXACTLY what I needed. Thank you so much.

  2. Tina said on — July 8, 2008 @ 1:24 pm

    Thank you for this tutorial. I’m new to photoshop so this really helped me.

  3. 70 Beauty-Retouching Photoshop Tutorials | Tutorials | Smashing Magazine Pingback on — July 15, 2008 @ 8:39 am

    [...] Tone Down HighlightsSometimes the only thing that keeps a good portrait from being a great portrait is a little too much shine on the skin. [...]

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Once You’re In CMYK Mode, Stay There

You’ve read some techniques in this chapter that require you to be in either RGB mode or Lab Color mode; however, if for any reason your image is already in CMYK mode, do not (I repeat, do not) convert to RGB or Lab mode for any reason. Once you’ve converted to CMYK mode, the data loss from the conversion has already occurred, and switching back to RGB mode won’t bring back those lost colors. What’s worse is, if you switch from CMYK to RGB (or Lab), when you convert back to CMYK mode, you’ll go through another CMYK conversion and damage your image even more. The moral of this story is-once you’re in CMYK mode, stay there.

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