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“Why do my RAW images look so much worse in Photoshop than they do in the Camera RAW preview window?” Has that been happening to you? If so, let me whisper softly those two words that strike fear into the hearts of even the bravest: “color management.” If your images look less saturated, less vibrant after they’re brought into Photoshop from Camera RAW, your color spaces probably don’t match. Don’t worry, it’s an easy fix.
In the lower-left corner of Photoshop CS’s Camera RAW dialog box is a little pop-up menu named Space. In that pop-up menu you have several color space options. The default (and a fine choice) is Adobe RGB.

If your Photoshop Color Settings dialog box has a different color profile selected as the RGB Working Space, you’re getting a color shift between the Camera RAW plug-in and Photoshop itself.

Regardless of what color profile you use in Color Settings, you can restore your image’s vibrancy with the Image> Mode> Assign Profile command. Compare the following three images:



As you can see, assigning the same color space that was used in Camera RAW produces the image that matches the adjustments done to the original RAW file.
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).