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If you’re designing a job that will ultimately go to a printing press in CMYK mode and it’s going to contain one or more gradients, you’ll get better printed results (less color shifts) if you create those gradients after you convert to CMYK mode.
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Using 3D tools in Photoshop CS4 Extended to create a logo element.
Here we will uses a series of custom shapes to create a bullet hole on a brush.
Here is a quick and easy way to use displacement maps to create a cool grunge look.
Here we will explore another aspect of custom brushes to create a cool background effect.
Sometimes our best creations happen by pure experimentation and accident. Sitting in front of a Photoshop file, you are 40 History States in, and then it happens—magic! You really want to be able to get back to that moment. To do so, make sure that you turn on the History Log checkbox in the General Preferences (Photoshop>Preferences>General [PC: Edit>Preferences>General]). You can save the information as metadata, as a separate text file, or both!
kevio said on — July 3, 2008 @ 2:35 pm
You can also add a very slight amount of noise to give the gradient some “tooth”. I almost always do gradients in PS instead of vector apps. Especially if you are going from really dark to really light. You might also talk to your printer about the curves they use on their press. Many printers have gone to a higher contrast curve to meet customer demands for “punchier” photos and graphics. This curve results in banded gradients due to decreased dynamic range. On a job a few years back, I had a printer use their old press curve and it fixed the banding problems we were having.