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If you’re using the Lasso tool (L), you have a surprising amount of navigation control, even while you’re dragging out your selection. For example, if you’re drawing a selection and you need to scroll over a bit, just press-and-hold the Spacebar, and right where your cursor is, the Hand tool will appear. Then you can move the image while you’re still selecting (try it once and you’ll see what we mean). When you let go of the Spacebar, you’re right where you left off, and you can continue your selection. Here’s another Lasso tip: If you’re drawing a selection and reach the edge of your document window and need to scroll over, hold the Option key (PC: Alt key), let go of the mouse button, move your mouse to the edge of your image window, and you can nudge the screen over (again, this is one you have to try once to understand it). It’s like you’re using the Lasso tool to slide the image over. When you’re done sliding, press the mouse button and release Option/Alt to continue selecting. Incidentally, while selecting, you can also use the zoom in/out tricks: Command–+ (Plus Sign) (PC: Control–+) and Command–- (Minus Sign) (PC: Control–-).
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).