ColorVision’s Spyder2PRO hardware/software combination for monitor calibration and profiling is an excellent choice for generating consistent, accurate color. ColorVision claims that the Spyder2PRO’s new sensors provide five times more color sensitivity. It supports CRTs, LCDs, and digital projector calibration. The three-legged silver and black Spyder attaches to CRTs via suction cups and uses a snap-on felt pad baffle adapter for measuring LCDs. The USB connector has a counterweight that slides along the cord to balance the colorimeter on your screen.

First, stabilize your display by letting it warm up for at least 30 minutes before using the software. Then minimize ambient light, as the Spyder can integrate ambient light readings into your calibration and it should only read light from your monitor. The software’s interface is well designed with clear instructions and an in-depth educational help section for each step.
During calibration you’re asked to adjust contrast, color balance, and brightness; however, many LCDs only have access to a backlight control. Just follow instructions for available adjustments. The Wizard suggests leaving the rest of the settings at the manufacturer’s default.
Next, the sensor reads a series of values and creates an ICC profile. To evaluate your results, a reference image is displayed that lets you see a comparison of pre-and post-calibration. ColorVision includes a Curves tool for post-calibration tweaking. When finished, you can name and save the profile.
To check out my new ICC monitor profile, I printed a standard reference chart, which includes color and grayscale patches, skin tones, and a range of images. The results were spot-on accurate colors, flesh tones, and neutral tone areas, free of colorcasts. The Spyder2PRO is an excellent user-friendly solution for reliable display calibration.
297
Mac/WindowsNo comments yet.
RSS feed for comments on this post. TrackBack URI
Corey shows you how to recreate this rugged, weathered look using a couple of filters, blending modes, and layer masks.
Use a clipping group to place an image inside of a background of text, with another layer of text placed in front to create depth.
In this tutorial Corey shows you how to take an existing image and turn it into it’s own custom brush.
In this tutorial Corey creates a realistic-looking coin effect using the channels palette and the lighting effects filter.
If you’re trying to set type that looks typographically correct in Photoshop, there’s an old habit you’ll have to break, and that’s the curse of putting two spaces at the end of every sentence. This is a holdover from people who at one time used traditional typewriters, where adding two spaces was necessary, but in typesetting that’s a huge no-no. About 70% of the text I copy-and-paste from text files that people give me has two spaces, but I use this Photoshop tip to fix the problem in just seconds. First, go under the Edit menu and choose Find and Replace Text. In the Find field, press the Spacebar twice (entering two spaces), then in Change To, press the Spacebar just once. Click Change All, and every time Photoshop finds two spaces at the end of a sentence, it will replace it with just one, making you typographically correct.