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If you’re creating a gradient using a spot color that fades to white, to make sure your gradient appears just on the spot separation plate, create the gradient to go from the spot color to a 0% tint of the same spot color (for example, go from 100% red to 0% red). Just click on the color’s opacity stop (that appears above the stop in the color ramp) and then lower the Opacity in the bottom-left corner of the Gradient Editor. That way, when you do your seps, the entire gradient will appear on the red separation.
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).