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In Bridge, your custom setups can be saved as workspaces. For example, if you shoot a lot of portraits, you could use the previous tip to set up your Bridge window to your liking and then save it by going to the Window menu, under Workspace, and choosing Save Workspace (name it something you’ll remember, like “Bridge Portrait”). Then, next time you’re looking through some proofs, you can have huge previews in just one click. You can do the same thing for wide horizontal photos—just drag the divider bar along the Panel area to the right until the preview takes up most of the Bridge window. Now switching between huge portrait and landscape previews only takes one click.
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).