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We love Photoshop’s Fade command (which acts like an “undo on a slider”), and when it comes to applying filters, we use it all the time to gain more control (including blending mode control) over filters we apply. The only downside to the Fade command (which is found under the Edit menu) is you can only use it one time—you get one opportunity to Fade, or choose a Blend Mode, then you’re stuck. Here’s a tip to keep the control of your filters for as long as you’d like: When you’re about to apply a filter, make a duplicate of the layer before you apply the filter by pressing Command-J (PC: Control-J) and then apply the filter. This keeps the application of your filter fully editable—you can change blend modes as often as you like, change opacity, add a layer mask to determine where the filter shows and where it doesn’t, or even toss the layer in the Trash and start all over.
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Corey shows you how to re-create the graphic effect from the new Bourne Legacy movie poster. With an extra twist!
Corey has a cool trick for creating a flare brush and see how one effect can lead to another.
See how you can add some subtle touches to give that green screen studio shot the Hollywood treatment.
Corey shows how to create reflective holiday ornaments using 3D in Photoshop.
If you have a multilayer composition and you
want to apply an effect to all the layers at once, don’t flatten the layers–use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith