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If you have an image that appears to have solid white areas (maybe the background surrounding a logo), but when you put the Eyedropper on that area, it gives you a 1% or 2% reading in one of the CMYK values in your Info palette, you can use Levels to gets those areas back down to 0% so they don’t print with a dot. Here’s how: Go under the Image menu, under Adjustments, and choose Levels. The third field from the left (at the top of the dialog) shows your current highlight value (your white point setting). The default value will be 255. Enter 252 or 250, then move your cursor over the white area in question and look in the Info palette to see if the readings are now all 0% (that change should be enough to remove the stray colors). When it’s right, click OK, and you’ll have solid white in your white areas.
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This week, Corey is inspired by a Hollywood poster to figure out how to create a colorful background pattern.
Using 3D tools in Photoshop CS4 Extended to create a logo element.
Here we will uses a series of custom shapes to create a bullet hole on a brush.
Here is a quick and easy way to use displacement maps to create a cool grunge look.
This panel has a couple of neat features for people who spend a lot of time in cloning. You can now set up a series of preset areas in the Clone Stamp tool. Simply click on one of the icons at the top of the Clone Source panel and Option-click (PC: Alt-click) on a point. That will save that location to the first icon. Click on the second icon and do the same thing. Now you can save a series of location points and go back by just clicking on the icon.
14. What I learned about photography this week — Lilahpops :: Plunging into Photography Pingback on — July 9, 2008 @ 5:18 am
[...] Making sure your whites are really white [...]