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A popular trick for making selections of large areas (such as backgrounds) is to select part of the background that contains most of the colors that appear within that background. Then you can go under the Select menu and choose Similar. Photoshop will then select all the similar colors in your image. This can really speed up the task of selecting an entire background, especially if the background is limited to just a few colors. Here’s the tip: Do you know what determines how many pixels out the Similar command selects? Believe it or not, it’s controlled by the Magic Wand’s Tolerance setting. The higher the setting, the more pixels it selects. Eerie, ain’t it? Sooooooo… if you use Similar, and it doesn’t select enough colors, go to the Magic Wand tool, increase the Tolerance setting, and then try running Similar again. This all makes perfect sense (at least to an engineer at Adobe).
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).