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As you probably already know, the History palette keeps track of the last 20 changes to your document, and you can use it for multiple undos when working on a project. The only bad part is that when you close your document, your undos (in History) are automatically deleted. However, there is a way to save an undo, as long as it’s a tonal adjustment (such as Curves, Levels, Color Balance, etc.), by creating adjustment layers. Just click on the half-white/half-black circle icon at the bottom of the Layers palette and choose your tonal adjustment from the pop-up menu to create an adjustment layer. These adjustment layers are saved along with your file. That way, the next time you open the file, you can go back and edit your Curves, Levels, etc., adjustment by double-clicking on the adjustment layer’s thumbnail. The last-applied adjustment will appear, and you can edit it live. If you decide you don’t want the original adjustment applied at all, you can drag the adjustment layer into the Trash icon at the bottom of the Layers palette. You can also add a Gradient fill, a Pattern fill, and even a Solid Color fill as an adjustment layer, giving you an undo at a later date, because again, they’re saved as layers with the file.
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).