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Let’s say you have an image, but the sky doesn’t look as vibrant as you’d like, and you want to increase the amount of blue without affecting the rest of the image. Try this on for size: Open an image that contains a daylight sky. Click on the Create New Adjustment Layer pop-up menu at the bottom of the Layers palette. In the pop-up menu, choose Color Balance. In the Color Balance dialog, drag the Blue slider all the way to the right (it looks bad now, but trust me) and click OK. Now, press B to switch to the Brush tool. Press the letter X until your Foreground color is black, and with a large, soft brush, start painting over the areas you don’t want blue. As you paint, the blue Color Balance you added is painted away. The sky is much bluer, but you can paint away the added blue from the other areas. To really see the before/after difference, click the Eye icon next to the adjustment layer.
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).