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When you’re in the Curves dialog (Command-M [PC: Control-M]), if you’re charging by the hour, you can certainly travel up to the Channel pop-up menu and choose each individual channel you want to work on, but if you want to do it the fast way, just press Command-1 for Red, Command-2 for Green, and Command-3 for Blue (PC: Control-1, Control-2, etc.). If you need to return to the composite RGB channel, press Command-Tilde (PC: Control-Tilde). By the way, the Tilde key looks like ~, and it lives right above the Tab key on your keyboard. Don’t feel bad. Nobody knows what the Tilde key is. We’re not sure it’s a real symbol at all. We think it was made up so there wouldn’t be an empty space there on your keyboard. Hey, it’s somewhat plausible.
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
While working in the Vanishing Point filter, you can create a multi-plane grid and return the part of the image contained in the grid back to Photoshop as a 3D layer (choose Return 3D Layer to Photoshop from the flyout menu). Once it is a 3D layer, you can move the object around in three dimensions using Photoshop’s 3D tools.