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When you’re in the Curves dialog (Command-M [PC: Control-M]), if you’re charging by the hour, you can certainly travel up to the Channel pop-up menu and choose each individual channel you want to work on, but if you want to do it the fast way, just press Command-1 for Red, Command-2 for Green, and Command-3 for Blue (PC: Control-1, Control-2, etc.). If you need to return to the composite RGB channel, press Command-Tilde (PC: Control-Tilde). By the way, the Tilde key looks like ~, and it lives right above the Tab key on your keyboard. Don’t feel bad. Nobody knows what the Tilde key is. We’re not sure it’s a real symbol at all. We think it was made up so there wouldn’t be an empty space there on your keyboard. Hey, it’s somewhat plausible.
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
When you create a grid box inside Vanishing Point, in addition to having the option of returning that grid back to Photoshop as a 3D object, you also have the option of exporting it as a 3D object that you can import into After Effects CS3 and manipulate in a 3D layer. Just click on the small right-facing triangle in the top of the dialog and in the flyout menu, choose Export for After Effects CS3 (.vpe).