Sponsored by the National Association of Photoshop Professionals. Learn More
If you’ve been faced with having to create small type on the Web (usually 12 points or fewer), you know the smaller you go, the blurrier your type gets. That’s because of the anti-aliasing that’s automatically applied to the type, which works fine at larger sizes but tends to run together at smaller sizes, making your type look fuzzy. You can adjust the amount of aliasing (from the Options Bar), but here’s a tip that many Web designers feel works even better: Once you get below 12 points, start adding positive tracking to your type (anywhere between 20 to 50 points) in the Character palette. This increases the amount of space between letters, and therefore, decreases the amount of blurriness. Increasing the space between your letters this way minimizes the effects of anti-aliasing and makes your type cleaner and more readable at smaller sizes. As a general rule—the smaller the type, the larger the tracking amount.
No comments yet.
RSS feed for comments on this post. TrackBack URI
Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).