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If you’ve been faced with having to create small type on the Web (usually 12 points or fewer), you know the smaller you go, the blurrier your type gets. That’s because of the anti-aliasing that’s automatically applied to the type, which works fine at larger sizes but tends to run together at smaller sizes, making your type look fuzzy. You can adjust the amount of aliasing (from the Options Bar), but here’s a tip that many Web designers feel works even better: Once you get below 12 points, start adding positive tracking to your type (anywhere between 20 to 50 points) in the Character palette. This increases the amount of space between letters, and therefore, decreases the amount of blurriness. Increasing the space between your letters this way minimizes the effects of anti-aliasing and makes your type cleaner and more readable at smaller sizes. As a general rule—the smaller the type, the larger the tracking amount.
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Corey has a special extended tutorial on illustrating the Ice Age acorn.
In part two of this tutorial, Corey finishes the Transformers logo he began last week.
In this two-part tutorial, Corey begins creating the Transformers logo from this summer’s upcoming blockbuster.
Corey uses the new 3D features in Photoshop CS4 Extended to re-create the DreamWorks animated title.
When working with vector - created art and the source art is unavailable, modifying the art to create a logo can be a pain, to say the least—particularly when it’s flattened and the background needs to be knocked out. A careful combination of Invert (Command - I [PC: Ctrl - I]), Color Balance (Command - B [PC: Ctrl - B]), and layer Blending Options (Control-click [PC: Right-click] the layer name) can yield simple background knockouts of one- or two-color logos without making a mess.