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Get Into Dodge

 

Anyone who’s used Photoshop CS3 (or prior) versions and tried to composite a human subject into an existing light setup knows that they eventually hit a wall with Levels, Curves, Color Balance and—even in desperate situations—Brightness/Contrast adjustments to match the environment. Careful use of the Dodge tool ( O ) in the right tone range can allow you to simulate key – and fill-light spill on your superimposed objects. [ The Dodge and Burn tools are more darkroom-like in Photoshop CS4—Ed. ]

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Viewing and Basking in your Image

When I’m done working with an image, I like to sit and admire it (hey, I spent six hours working on it, I should). To do that, I hit the Tab key, then hit the F key three times. This hides all of the panels and toolbars and lets you see the image by itself surrounded by black. To get back to regular mode, press the F key and the Tab key one more time.

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