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Old 09-30-2009, 02:17 AM
mitzs mitzs is offline
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Default Photoshop CS4 Compositing: Surreal Landscapes, Part 3

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Fool the viewer's eyes into believing the impossible. In the final article in his series on the creating surreal landscapes, Dan Moughamian, coauthor of Real World Compositing with Adobe Photoshop CS4, shows you how to pull together all the pieces of your composite image
http://www.peachpit.com/articles/article.aspx?p=1390166
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Old 10-14-2009, 01:10 AM
hcm2009 hcm2009 is offline
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Such a very amazing link!
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Old 10-21-2009, 10:52 PM
odequisis odequisis is offline
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I was wondering if someone can help me out. I am trying create an action-script and can't seem to make it happen.

Specifically, I have a Photoshop file with five groups. Each "group" having it's own name. Is there a way to save out each "group" with that "groups" name? I tried to incorporate a copy and paste but didn't work.

Any ideas how to do this?

Thank you in advance!
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Old 10-22-2009, 02:46 AM
leahmarie leahmarie is offline
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Cool creation. Can an average user of Photoshop CS4 do this sort of things?? I'm really interested.
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Old 10-27-2009, 10:25 AM
movieboy movieboy is offline
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extremely wonderful. really a totally unique idea you got there. I am also really keen to learn this. But never used any version after cs3
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Old 10-28-2009, 02:13 AM
mitzs mitzs is offline
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Quote:
Originally Posted by leahmarie View Post
Cool creation. Can an average user of Photoshop CS4 do this sort of things?? I'm really interested.

I would suggest that you test it out on your own. I don't see anywhere in Dan article where he says it just for CS4 Extended.
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Old 11-10-2009, 01:58 AM
corporate111 corporate111 is offline
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et's take a look at color. As I noted at the beginning of this series, my goal when searching for images to use for the composite was to make sure that all my selections had lighting that was generally similar to that of the overcast sky above the waterfalls. The original photo of the woman in the park certainly had the same type of moody lighting, and to a lesser degree the photo of the Buddha did as well. Both have relatively even, flat lighting. Another part of the light equation is the color that's imparted onto the subjects of each shot. The more overcast the shot, the more blue things seem to look.
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