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You’ve been able to nest one or more palettes into another palette since back in Photoshop 3.0. No big deal, but now you can not only nest but you can also dock palettes one atop the other, creating a giant über palette. Here’s how: Drag the name tab of one palette to the bottom edge of a second palette and slowly drag upward. A thin, black double-line will appear at the bottom of the top palette, letting you know it’s “time to dock.” Release the mouse and your palettes will be docked, one on top of the other. Now, when you move the top palette, all docked palettes will move with it as a group. We use this feature to stack our Character and Paragraph palettes (both found under the Window menu) so we can access all our type settings in one place.
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).