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Here we will uses a series of custom shapes to create a bullet hole on a brush. Continue Reading »
Here is a quick and easy way to use displacement maps to create a cool grunge look. Continue Reading »
Here we will explore another aspect of custom brushes to create a cool background effect. Continue Reading »
Corey stumbled upon this effect while experimenting with the smudge tool and its finger painting feature. Start off by Continue Reading »
In this design, Corey had set out to blend a large body of text with a silhouetted shape. After some experimenting Continue Reading »
This crumpled paper effect starts with designing a piece of notebook paper and then applying a displacement map Continue Reading »
The steps for creating this pirate text effect start with converting a text layer into paths in order to reshape Continue Reading »
In this tutorial, Corey creates an animated background using Adobe Photoshop CS3 Extended. Continue Reading »
Corey recreates a video game logo by building a grid background and circular target using the define pattern Continue Reading »
Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).