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Photoshop 7′s new Brushes palette is far more than simply a place to pick a brush. Continue Reading »
I was working on a magazine this weekend and after scanning and cropping about 50 pictures I stumbled across something I never noticed before, if I doubled clicked inside an image with the crop tool selected it would apply the crop. Continue Reading »
Along with a bunch of new features, which we will be discussing over the next few weeks, Photoshop 7 has created a more powerful brushes system. Continue Reading »
Photoshop 7 is filled with advancements, large and small, to improve productivity. For some, Saved Workspaces will fall into the “small” category, but for most of us, this capability has the potential to be a huge time saver. Continue Reading »
Photoshop 7 has a few new commands and blending modes that I’ve been playing with, and as I already told my buddy Colin Smith about it Continue Reading »
I cant believe that its time for a new release of Photoshop already. Continue Reading »
Photoshop 7 is a truly exciting upgrade from Adobe. Whether you’ll be receiving your copy soon after it ships in mid-April or are waiting to upgrade, there are some things you can do to smooth the transition. Continue Reading »
Photoshop 7 adds several major new capabilities, such as the File Browser, the Healing Brush, and Tool Presets. Continue Reading »
Adobe System, Inc. officially announced today (February 25, 2002) Photoshop 7, the next version of the world’s premier image editing software. The breadth and depth of the improvements makes this an upgrade that’s certainly worth your dollars. Continue Reading »
Corey shows you how to re-create the graphic effect from the new Bourne Legacy movie poster. With an extra twist!
Corey has a cool trick for creating a flare brush and see how one effect can lead to another.
See how you can add some subtle touches to give that green screen studio shot the Hollywood treatment.
Corey shows how to create reflective holiday ornaments using 3D in Photoshop.
If you have a multilayer composition and you
want to apply an effect to all the layers at once, don’t flatten the layers–use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith