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This week’s tutorial deals with creating masks for complicated images by using channels. Continue Reading »
Continue exploring the possibilities with Photoshop’s new 3D tools. Continue Reading »
In this tutorial, Corey explores the possibilities when using Photoshop CS4 Extended’s 3D tools by creating 3D streaks that wrap around each other. Continue Reading »
Now this is something that still seems to stump people in Photoshop when it come to Layer Styles. Continue Reading »
Corey shows you how to use a vector mask to pull objects from their background. Continue Reading »
After creating a brush pattern from a stock image of a horse, Corey applies a layer style consisting of outer and inner glows Continue Reading »
In this tutorial, Corey creates an animated background using Adobe Photoshop CS3 Extended. Continue Reading »
Using this effect, you can transform anyone into a comic book character with a halftone, saturated look. Continue Reading »
Learn how to make these smoky stage lights by creating a gradient selection in quick mask mode Continue Reading »
Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).