Sponsored by the National Association of Photoshop Professionals. Learn More

Photography | Page 3

 

Depth-of-Field: Sharp From Stem To Stern

When most digital photographers stray from Auto or Program exposure modes, it’s usually to the Shutter-Preferred mode to better stop action. Continue Reading »

A More Complex Distortion Problem

The city and countryside of Chartres, France, are dominated by the magnificent cathedral. Continue Reading »

Simple Photoshop Distortion Corrections

As a photojournalist, I’ve always been partial to my “normal” lens: the wide angle. Continue Reading »

The Shadowy Face of The Luminosity Mask

Last week we learned how to use a Luminosity Mask (Command+Option+Tilde [~] or PC: Control+Alt+~) to emphasize highlight details in ultra bright situations such as snow on a Swiss Alp. Continue Reading »

Recovering Lost Highlight Detail

Tips and tricks are the trading cards of Photoshop. Continue Reading »

Panoramas: When The Terrain Doesn’t Cooperate

When last we visited the exciting world of making panorama images with Photoshop, I used a relatively common subject as an example: a level drawbridge over Florida’s Intracoastal Waterway close by my home. Continue Reading »

Red Eye Reduction with Photoshop CS2

There are almost as many ways to minimize red eye using Photoshop as there are people using Photoshop. Continue Reading »

Pages: 1 2 3

Fill and Recovery Sliders in Camera Raw

Chances are you’ve noticed that when you attempt to increase the exposure in an image that is underexposed, you are going to clip your highlights, take areas of light color information and make them completely white. Before Camera Raw 4.1, the only way for you to compensate for this would be to dial back the exposure. Now, with the Recovery slider you can bring back some of the detail that was lost in the highlights without affecting the entire image.

Read More Tips

Tip of the Day
 
 
Kelby Training