Sponsored by the National Association of Photoshop Professionals. Learn More
Using a mixture of filters and blending modes, Corey takes a stock photo and transforms it into an old, classic 1950’s pin-up poster. Continue Reading »
Corey shows how to use the luminosity of an image to create a cool design effect and spice up your simple photos. Continue Reading »
Corey shows you how to recreate this rugged, weathered look using a couple of filters, blending modes, and layer masks. Continue Reading »
Create really cool borders in under a minute to use on virtually any one of your photos or even video for that matter. Continue Reading »
Corey shows you how to create a drawing from a photo and blend the two. Continue Reading »
Corey shows a quick and easy way to remove noise from your photographs. Continue Reading »
Here’s a super-simple technique for enhancing the most important bits of any portrait: the eyes. Continue Reading »
Here’s a couple of super quick frame effects to add a little burst of creativity to otherwise mundane photos. Continue Reading »
Photoshop CS includes the Crop and Straighten Photos feature. It enables you to scan a number of images at once and automatically separate that single scan into individual image files. Continue Reading »
Adobe Systems, Inc. is on a crusade. The company wants to unify the concept of the “Raw” file format. Continue Reading »
Clear your mind. Clear your head. Here’s a different way to consider the term “image resolution.” Continue Reading »
Photoshop’s Camera Raw includes a pop-up menu named Size that let’s you change the number of pixels in an image. Continue Reading »
There are many, many reasons to love Photoshop CS’s Camera RAW plug-in. Continue Reading »
“Why do my RAW images look so much worse in Photoshop than they do in the Camera RAW preview window?” Continue Reading »
Pages: 1 2
Now this is something that still seems to stump people in Photoshop when it come to Layer Styles.
Learn how to add excitement and energy to your photo in just a few simple steps.
Here is a cool way to use parts of you photos as abstract design elements.
Corey shows you how to use a vector mask to pull objects from their background.
In previous versions of Photoshop, you could only use the Eyedropper tool to sample a color from other open images in Photoshop, but for some reason, ImageReady had a supercharged Eyedropper. If you clicked the mouse button within your image and held it down, you could leave your image window and sample colors from, well… just about anything—including your computer desktop or any other open application. Freaky! Fortunately, Adobe finally added this same power to Photoshop’s Eyedropper tool.