Sponsored by the National Association of Photoshop Professionals. Learn More
Let’s just do something really simple this week. I have had the task of taking a number of photos for work these past few weeks as we ramp up the launch of our new web site. Continue Reading »
I have been using the Hue and Saturation Adjustment tools that Photoshop provides for a long time. Usually I am just making overall image adjustments, but from time-to-time there is a specific area of an image that needs adjustment when the rest of the image should stay the same. Continue Reading »
Photoshop 7 has a few new commands and blending modes that I’ve been playing with, and as I already told my buddy Colin Smith about it, I thought I’d better write on the subject before he beat me to it! Continue Reading »
I am going to show you how to create a medal here.. We are going to create a medal for the fictitious “snow bike” category in the fictitious 2001 Olympics, sorry purists
Continue Reading »
What happens if you can’t find that perfect photograph? What if you want to make things a little bit more active than they are in the stock photo? Here is a little technique that should help you in those circumstances. Continue Reading »
Adding a reflection can change the appearance of a surface dramatically. Rather than a flat, boring surface, you can give the illusion of shine or polish. Continue Reading »
You know me – I love styles. Unfortunately I talk about them so much these days that it may seem I rely on them for nearly everything, but that isn’t the case at all. Continue Reading »
Photoshop’s Quick Mask mode enables you to create smooth transitions between images on different layers with extraordinary control. Continue Reading »
This week I want to cover a nifty little trick for bringing out depth in glass and plastic. Continue Reading »
This week let us learn a little technique I like to call the pixellated blur. I don’t really call it that, but I had to call it something for the purposes of this tutorial. Really, I don’t call it anything at all. Anyway, on with the tutorial. Continue Reading »
Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32
Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).