Sponsored by the National Association of Photoshop Professionals. Learn More
Ok, so we have now talked about colors that are similar. Now let’s talk about colors that are disimilar. Continue Reading »
Last week we began talking about color theory and we discussed analogous color. Let’s talk about this more. Continue Reading »
You may never think about color when you design. You may just think what looks good is what is good. Continue Reading »
I first saw Realviz’ Stitcher (3.0 for the Mac) demonstrated at New York’s Mac World Expo. Ken Eyring, Realviz senior technical sales person, did a great job of putting this amazing application through its paces. Continue Reading »
In the first installment of this series, we looked at duotone color mode, how it works, and how you can control it. Continue Reading »
A great way to save on your printing costs is to use two inks instead of four. Continue Reading »
As a photojournalist, I’ve always been partial to my “normal” lens: the wide angle. Continue Reading »
Film photographers have always faced a balance challenge… color balance, that is. Continue Reading »
In the first two parts of this series, we looked at the theory of sharpening and the commands and tool available in Photoshop. Continue Reading »
In the first installment of this series, we looked at the theory of sharpening and how it works. Continue Reading »
Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37
Corey has a cool trick for creating a flare brush and see how one effect can lead to another.
See how you can add some subtle touches to give that green screen studio shot the Hollywood treatment.
Corey shows how to create reflective holiday ornaments using 3D in Photoshop.
This week Corey has a cool new trick for using 3D reflections in a rather creative way!
If you have a multilayer composition and you
want to apply an effect to all the layers at once, don’t flatten the layers–use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith