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If you are like me, you have the bad habit of collecting photos, textures, or other graphic objects for future use in your work. Continue Reading »
Knockout is the leading masking program that Corel Corp. acquired from a cinema bluescreen company, Ultimatte. Continue Reading »
You know sometimes you just don’t want that photo you took to be a plain, old snapshot. Continue Reading »
So we have been talking about color right? Big deal, who cares? Well you do, if you want to present effective graphics. Continue Reading »
Ok, so we have now talked about colors that are similar. Now let’s talk about colors that are disimilar. Continue Reading »
Last week we began talking about color theory and we discussed analogous color. Let’s talk about this more. Continue Reading »
You may never think about color when you design. You may just think what looks good is what is good. Continue Reading »
I first saw Realviz’ Stitcher (3.0 for the Mac) demonstrated at New York’s Mac World Expo. Ken Eyring, Realviz senior technical sales person, did a great job of putting this amazing application through its paces. Continue Reading »
In the first installment of this series, we looked at duotone color mode, how it works, and how you can control it. Continue Reading »
A great way to save on your printing costs is to use two inks instead of four. Continue Reading »
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
Chances are you’ve noticed that when you attempt to increase the exposure in an image that is underexposed, you are going to clip your highlights, take areas of light color information and make them completely white. Before Camera Raw 4.1, the only way for you to compensate for this would be to dial back the exposure. Now, with the Recovery slider you can bring back some of the detail that was lost in the highlights without affecting the entire image.