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If you own a newer slide scanner, you’ve probably heard of Applied Science Fiction, developers of Digital ICE, the fantastic scratch- and dust-removing software. Continue Reading »
Spot colors can be used with CMYK or Multichannel documents intended for print to add additional colors, create “bump plates,” and to control varnishes. Continue Reading »
I have been using the Hue and Saturation Adjustment tools that Photoshop provides for a long time. Continue Reading »
Photoshop uses pixels to display graphics. Bits of light and darkness that make a map of the image. Continue Reading »
A lot of designers I know hate math, they are right brained and cannot stand those pesky little numbers cramping their creative style. Continue Reading »
I’m a Photoshop guy in a Photoshop world. Pretty narrow minded outlook, but that is how I’ve operated for quite some time, and quite contentedly. Continue Reading »
For those of you who, like me, enjoy a good romp through the Filters menu on occasion, you should be pleased to hear Alien Skin Continue Reading »
If you are new to Photoshop, you hate the pen tool. If you have been using Photoshop for awhile, you love it. Why is this? Well, let me show you a few tips that might help you fall in love with your pen tool. Continue Reading »
If you do any Photoshop work at all, you’ll know how often clients ask you to do the impossible. Can you get rid of those leaves in the background? Continue Reading »
Lately I have had a few people asking me if it is possible to create dotted lines in the shape of an oval. I thought, “why not go the extra mile”, and show you how to apply a custom brush to any shape! Why not add a few stars for Christmas. Continue Reading »
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
While working in the Vanishing Point filter, you can create a multi-plane grid and return the part of the image contained in the grid back to Photoshop as a 3D layer (choose Return 3D Layer to Photoshop from the flyout menu). Once it is a 3D layer, you can move the object around in three dimensions using Photoshop’s 3D tools.