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The vast majority of the time, the vast majority of us use Photoshop’s Color Picker in the default configuration. Continue Reading »
Although it’s not the purpose for which it was designed, the new Color Replacement tool in Photoshop CS is an incredibly efficient way to remove digital noise from photos. Continue Reading »
Last week, Alexandro Colorado emailed me asking why Photoshop creates a mask when making shapes with the shape tool. I told him that I would explain the reason why the best I could. Continue Reading »
There is a way, however, to pull a Style effect, such as a drop shadow or such, from the layer it was applied to and give it its’ own layer, on which it may be manipulated, edited, or set on fire. Continue Reading »
Quick masks are a handy little Photoshop- feature that many people don’t even know about. Continue Reading »
The patch tool operates on a premise similar to the clone tool, but with patch you can actually make a selection of an area to use as your patch, and drag it to the area to be corrected. Continue Reading »
Ok, for those of you who are familiar with my weekly column or my website, you are by now familiar with this topic somewhat. Continue Reading »
Ever wonder where all those seamless backgrounds come from? How does the creator get them to blend so…well, seamlessly? Continue Reading »
While Photoshop doesn’t offer a dashed line option, such as that found in Illustrator’s Stroke palette, you can easily simulate them by editing a brush in the Brushes palette. Continue Reading »
A layer mask is great for creating masks for a single layer. Continue Reading »
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).