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Tutorials | Page 18

 

Color Picker Versatility

The vast majority of the time, the vast majority of us use Photoshop’s Color Picker in the default configuration. Continue Reading »

Eliminate Noise with the Color Replacement Tool

Although it’s not the purpose for which it was designed, the new Color Replacement tool in Photoshop CS is an incredibly efficient way to remove digital noise from photos. Continue Reading »

Photoshop Vector Shapes

Last week, Alexandro Colorado emailed me asking why Photoshop creates a mask when making shapes with the shape tool. I told him that I would explain the reason why the best I could. Continue Reading »

Manipulating Style Elements

There is a way, however, to pull a Style effect, such as a drop shadow or such, from the layer it was applied to and give it its’ own layer, on which it may be manipulated, edited, or set on fire. Continue Reading »

Using Quick Masks

Quick masks are a handy little Photoshop- feature that many people don’t even know about. Continue Reading »

An Exercise Using The Patch Tool

The patch tool operates on a premise similar to the clone tool, but with patch you can actually make a selection of an area to use as your patch, and drag it to the area to be corrected. Continue Reading »

Actions: How did they do that? Revisited

Ok, for those of you who are familiar with my weekly column or my website, you are by now familiar with this topic somewhat. Continue Reading »

Using Masks for Seamless Backgrounds

Ever wonder where all those seamless backgrounds come from? How does the creator get them to blend so…well, seamlessly? Continue Reading »

Dashed Lines in Photoshop

While Photoshop doesn’t offer a dashed line option, such as that found in Illustrator’s Stroke palette, you can easily simulate them by editing a brush in the Brushes palette. Continue Reading »

Creating A Mask Over Multiple Layers

A layer mask is great for creating masks for a single layer. Continue Reading »

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Fill and Recovery Sliders in Camera Raw

Chances are you’ve noticed that when you attempt to increase the exposure in an image that is underexposed, you are going to clip your highlights, take areas of light color information and make them completely white. Before Camera Raw 4.1, the only way for you to compensate for this would be to dial back the exposure. Now, with the Recovery slider you can bring back some of the detail that was lost in the highlights without affecting the entire image.

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