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“Step-and-repeat” is the term used for the process of duplicating an object and spacing. Continue Reading »
Generally low-wage labor is either easy but boring or difficult but fun. Continue Reading »
Put some spice into your Photoshop life and pick an alternate color picker! Did you know you could do that? Continue Reading »
Configuring and using ALL of your crop tool’s capabilities can really speed up your work. Continue Reading »
Photoshop CS2 is, in my humble opinion, the most user-friendly version to date. Continue Reading »
Sometimes the lighting for an image is just a little bit off. Perhaps it’s unbalanced, or there’s a shadow Continue Reading »
Page layout programs, such as InDesign, and illustration programs, like Illustrator, can easily handle “bleeds” Continue Reading »
It’s easy to see individual channels in color in Photoshop’s Channels palette Continue Reading »
Selecting fly-away hair can be one of the toughest assignments in Photoshop. The Extract command can be helpful. Continue Reading »
Photoshop’s Pen and Shape tools are incredibly powerful tools, especially when creating complex compound paths by intersecting paths. To see how this works, let’s create a gear in Photoshop. Continue Reading »
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).