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As with most things in Photoshop, there are a thousand ways to do the same thing. Continue Reading »
Have you ever wanted to float a piece of text behind a portion of an image? Continue Reading »
Does the thought of isolating (also referred to as “knocking out”) a person in a photo with big hair fill you with dread? Never fear for the Extract filter is here! Continue Reading »
Jack London once said “Show me a man with a tattoo and I’ll show you a man with an interesting past.” Continue Reading »
Continuing on with the Photos within Type tutorial series, here’s another fun effect to create: grungy type. Continue Reading »
Photoshop’s Replace Color adjustment is a quick and efficient way to swap one color for another. Continue Reading »
Photoshop’s Unsharp Mask is a great way to add a little sparkle to eyes and a smile-but how do you avoid sharpening the skin and bringing out the wrinkles? Continue Reading »
The calm and peaceful waters are ruining your image and you want to stir things up a bit. Here’s an easy way to add pond ripples to your image. Continue Reading »
Serigraphs are silkscreen prints that, in the hands of artists such as Andy Warhol, Michael Schwab and Antonio Reboiro, can be exciting, colorful, high-contrast images. Continue Reading »
Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).