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I first saw Realviz’ Stitcher (3.0 for the Mac) demonstrated at New York’s Mac World Expo. Ken Eyring, Realviz senior technical sales person, did a great job of putting this amazing application through its paces. Continue Reading »
In the first installment of this series, we looked at duotone color mode, how it works, and how you can control it. Continue Reading »
A great way to save on your printing costs is to use two inks instead of four. Continue Reading »
As a photojournalist, I’ve always been partial to my “normal” lens: the wide angle. Continue Reading »
Film photographers have always faced a balance challenge… color balance, that is. Continue Reading »
In the first two parts of this series, we looked at the theory of sharpening and the commands and tool available in Photoshop. Continue Reading »
In the first installment of this series, we looked at the theory of sharpening and how it works. Continue Reading »
It’s generally understood in the Photoshop world that almost every image can benefit from judicious sharpening. Continue Reading »
Tips and tricks are the trading cards of Photoshop. Photoshop techniques, tips and tricks are like hamsters… they beget rapidly with each new user adopting a variation. Continue Reading »
When last we visited the exciting world of making panorama images with Photoshop, I used a relatively common subject as an example: a level drawbridge over Florida’s Intracoastal Waterway close by my home. Continue Reading »
Corey shows you how to re-create the graphic effect from the new Bourne Legacy movie poster. With an extra twist!
Corey has a cool trick for creating a flare brush and see how one effect can lead to another.
See how you can add some subtle touches to give that green screen studio shot the Hollywood treatment.
Corey shows how to create reflective holiday ornaments using 3D in Photoshop.
If you have a multilayer composition and you
want to apply an effect to all the layers at once, don’t flatten the layers–use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith