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Here’s a super-simple technique for enhancing the most important bits of any portrait: the eyes. Continue Reading »
If you are like me, you have the bad habit of collecting photos, textures, or other graphic objects for future use in your work. Continue Reading »
Knockout is the leading masking program that Corel Corp. acquired from a cinema bluescreen company, Ultimatte. Continue Reading »
You know sometimes you just don’t want that photo you took to be a plain, old snapshot. Continue Reading »
So we have been talking about color right? Big deal, who cares? Well you do, if you want to present effective graphics. Continue Reading »
Ok, so we have now talked about colors that are similar. Now let’s talk about colors that are disimilar. Continue Reading »
Last week we began talking about color theory and we discussed analogous color. Let’s talk about this more. Continue Reading »
You may never think about color when you design. You may just think what looks good is what is good. Continue Reading »
I first saw Realviz’ Stitcher (3.0 for the Mac) demonstrated at New York’s Mac World Expo. Ken Eyring, Realviz senior technical sales person, did a great job of putting this amazing application through its paces. Continue Reading »
In the first installment of this series, we looked at duotone color mode, how it works, and how you can control it. Continue Reading »
A great way to save on your printing costs is to use two inks instead of four. Continue Reading »
As a photojournalist, I’ve always been partial to my “normal” lens: the wide angle. Continue Reading »
Film photographers have always faced a balance challenge… color balance, that is. Continue Reading »
In the first two parts of this series, we looked at the theory of sharpening and the commands and tool available in Photoshop. Continue Reading »
In the first installment of this series, we looked at the theory of sharpening and how it works. Continue Reading »
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Using 3D tools in Photoshop CS4 Extended to create a logo element.
Here we will uses a series of custom shapes to create a bullet hole on a brush.
Here is a quick and easy way to use displacement maps to create a cool grunge look.
Here we will explore another aspect of custom brushes to create a cool background effect.
Sometimes our best creations happen by pure experimentation and accident. Sitting in front of a Photoshop file, you are 40 History States in, and then it happens—magic! You really want to be able to get back to that moment. To do so, make sure that you turn on the History Log checkbox in the General Preferences (Photoshop>Preferences>General [PC: Edit>Preferences>General]). You can save the information as metadata, as a separate text file, or both!