Here’s a super-simple technique for enhancing the most important bits of any portrait: the eyes. Continue Reading »
If you are like me, you have the bad habit of collecting photos, textures, or other graphic objects for future use in your work. Continue Reading »
Knockout is the leading masking program that Corel Corp. acquired from a cinema bluescreen company, Ultimatte. Continue Reading »
You know sometimes you just don’t want that photo you took to be a plain, old snapshot. Continue Reading »
So we have been talking about color right? Big deal, who cares? Well you do, if you want to present effective graphics. Continue Reading »
Ok, so we have now talked about colors that are similar. Now let’s talk about colors that are disimilar. Continue Reading »
Last week we began talking about color theory and we discussed analogous color. Let’s talk about this more. Continue Reading »
You may never think about color when you design. You may just think what looks good is what is good. Continue Reading »
I first saw Realviz’ Stitcher (3.0 for the Mac) demonstrated at New York’s Mac World Expo. Ken Eyring, Realviz senior technical sales person, did a great job of putting this amazing application through its paces. Continue Reading »
In the first installment of this series, we looked at duotone color mode, how it works, and how you can control it. Continue Reading »
A great way to save on your printing costs is to use two inks instead of four. Continue Reading »
As a photojournalist, I’ve always been partial to my “normal” lens: the wide angle. Continue Reading »
Film photographers have always faced a balance challenge… color balance, that is. Continue Reading »
In the first two parts of this series, we looked at the theory of sharpening and the commands and tool available in Photoshop. Continue Reading »
In the first installment of this series, we looked at the theory of sharpening and how it works. Continue Reading »
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Corey shows you how to recreate this rugged, weathered look using a couple of filters, blending modes, and layer masks.
Use a clipping group to place an image inside of a background of text, with another layer of text placed in front to create depth.
In this tutorial Corey shows you how to take an existing image and turn it into it’s own custom brush.
In this tutorial Corey creates a realistic-looking coin effect using the channels palette and the lighting effects filter.
If you’re trying to set type that looks typographically correct in Photoshop, there’s an old habit you’ll have to break, and that’s the curse of putting two spaces at the end of every sentence. This is a holdover from people who at one time used traditional typewriters, where adding two spaces was necessary, but in typesetting that’s a huge no-no. About 70% of the text I copy-and-paste from text files that people give me has two spaces, but I use this Photoshop tip to fix the problem in just seconds. First, go under the Edit menu and choose Find and Replace Text. In the Find field, press the Spacebar twice (entering two spaces), then in Change To, press the Spacebar just once. Click Change All, and every time Photoshop finds two spaces at the end of a sentence, it will replace it with just one, making you typographically correct.