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Photoshop uses pixels to display graphics. Bits of light and darkness that make a map of the image. Continue Reading »
A lot of designers I know hate math, they are right brained and cannot stand those pesky little numbers cramping their creative style. Continue Reading »
I’m a Photoshop guy in a Photoshop world. Pretty narrow minded outlook, but that is how I’ve operated for quite some time, and quite contentedly. Continue Reading »
For those of you who, like me, enjoy a good romp through the Filters menu on occasion, you should be pleased to hear Alien Skin Continue Reading »
If you are new to Photoshop, you hate the pen tool. If you have been using Photoshop for awhile, you love it. Why is this? Well, let me show you a few tips that might help you fall in love with your pen tool. Continue Reading »
If you do any Photoshop work at all, you’ll know how often clients ask you to do the impossible. Can you get rid of those leaves in the background? Continue Reading »
Lately I have had a few people asking me if it is possible to create dotted lines in the shape of an oval. I thought, “why not go the extra mile”, and show you how to apply a custom brush to any shape! Why not add a few stars for Christmas. Continue Reading »
If you are like me, you have the bad habit of collecting photos, textures, or other graphic objects for future use in your work. Continue Reading »
Knockout is the leading masking program that Corel Corp. acquired from a cinema bluescreen company, Ultimatte. Continue Reading »
You know sometimes you just don’t want that photo you took to be a plain, old snapshot. Continue Reading »
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Corey shows you how to re-create the graphic effect from the new Bourne Legacy movie poster. With an extra twist!
Corey has a cool trick for creating a flare brush and see how one effect can lead to another.
See how you can add some subtle touches to give that green screen studio shot the Hollywood treatment.
Corey shows how to create reflective holiday ornaments using 3D in Photoshop.
If you have a multilayer composition and you
want to apply an effect to all the layers at once, don’t flatten the layers–use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith