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Photoshop’s Camera Raw includes a pop-up menu named Size that let’s you change the number of pixels in an image. Continue Reading »
There are many, many reasons to love Photoshop CS’s Camera RAW plug-in. Continue Reading »
“Why do my RAW images look so much worse in Photoshop than they do in the Camera RAW preview window?” Continue Reading »
We spend hundreds and thousands of dollars to acquire the sharpest lenses possible. Continue Reading »
Last week we examined the nature of depth-of-field. Now let’s take a look at how depth-of-field can be applied practically and creatively. Continue Reading »
When most digital photographers stray from Auto or Program exposure modes, it’s usually to the Shutter-Preferred mode to better stop action. Continue Reading »
The city and countryside of Chartres, France, are dominated by the magnificent cathedral. Continue Reading »
As a photojournalist, I’ve always been partial to my “normal” lens: the wide angle. Continue Reading »
Last week we learned how to use a Luminosity Mask (Command+Option+Tilde [~] or PC: Control+Alt+~) to emphasize highlight details in ultra bright situations such as snow on a Swiss Alp. Continue Reading »
Tips and tricks are the trading cards of Photoshop. Continue Reading »
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).