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There are many, many reasons to love Photoshop CS’s Camera RAW plug-in. Continue Reading »
“Why do my RAW images look so much worse in Photoshop than they do in the Camera RAW preview window?” Continue Reading »
We spend hundreds and thousands of dollars to acquire the sharpest lenses possible. Continue Reading »
Last week we examined the nature of depth-of-field. Now let’s take a look at how depth-of-field can be applied practically and creatively. Continue Reading »
When most digital photographers stray from Auto or Program exposure modes, it’s usually to the Shutter-Preferred mode to better stop action. Continue Reading »
The city and countryside of Chartres, France, are dominated by the magnificent cathedral. Continue Reading »
As a photojournalist, I’ve always been partial to my “normal” lens: the wide angle. Continue Reading »
Last week we learned how to use a Luminosity Mask (Command+Option+Tilde [~] or PC: Control+Alt+~) to emphasize highlight details in ultra bright situations such as snow on a Swiss Alp. Continue Reading »
Tips and tricks are the trading cards of Photoshop. Continue Reading »
When last we visited the exciting world of making panorama images with Photoshop, I used a relatively common subject as an example: a level drawbridge over Florida’s Intracoastal Waterway close by my home. Continue Reading »
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Recreate the text effect from the title to the new blockbuster movie.
Continue exploring the possibilities with Photoshop’s new 3D tools.
Corey shows you how to make a new photo look damaged by blending in some unusual textures.
Use Photoshop’s new 3D tools to create some dazzling background effects.
When I’m done working with an image, I like to sit and admire it (hey, I spent six hours working on it, I should). To do that, I hit the Tab key, then hit the F key three times. This hides all of the panels and toolbars and lets you see the image by itself surrounded by black. To get back to regular mode, press the F key and the Tab key one more time.