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Dave Cross shows you how to add texture to your text by adding a filter to a layer. Continue Reading »
Use an Adjustment Layer to easily change a color in your photo, and then quickly change it back if things don’t work out. Continue Reading »
Dave Cross shows how to use the Lens Flare Filter with more flexibility. Continue Reading »
Have you ever spent a lot of time making a selection, and then lost it? Find out how to quickly get it back. Continue Reading »
Dave Cross shows you how to use Layer Comps to show your client different versions of your design. Continue Reading »
Dave Cross shares some tips on using Quickmask in Photoshop to feather a portion of a selection. Continue Reading »
Matt Kloskowski shares some tips on how to improve photos that are taken at night. Continue Reading »
In this beginner level tip, Dave Cross shows the benefits of creating a “New Layer” and using “Sample All Layers” before retouching your photos. Continue Reading »
Matt shows you how to brighten those teeth without an expensive trip to the dentist. Continue Reading »
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
When you create a grid box inside Vanishing Point, in addition to having the option of returning that grid back to Photoshop as a 3D object, you also have the option of exporting it as a 3D object that you can import into After Effects CS3 and manipulate in a 3D layer. Just click on the small right-facing triangle in the top of the dialog and in the flyout menu, choose Export for After Effects CS3 (.vpe).