Sponsored by the National Association of Photoshop Professionals. Learn More
Often, I echo Matt Kloskowski’s feeling that font preview is either loved or hated. I find myself usually turning it off, and here’s why: I love fonts—lots of them. I install fonts like there’s no tomorrow. I’m assuming that this is going to catch up to me at one point or another, but I continue to troll sites to find more and more fonts.
As you install more and more fonts on your machine, you might notice that there could be a performance problem. Because of this, we should go to Photoshop>Preferences>General (PC: Edit>Preferences>General) and turn off the Font Preview Size checkbox in the Type preferences. You can also turn on the Font Preview Size there too, if you happen to like it. I’ll stay away from that argument now.
*Adobe Bridge CS4 and Adobe Camera Raw 5 Tip*
To hide the pins that appear when you use the Adjustment Brush, just press V on your keyboard or uncheck the Show Pins check-box at the bottom of the adjustment sliders when the brush is active (it toggles the pin visibility on/off). More pins are added if you click the New button at the top of the adjustment sliders, make an adjustment, and then click on the image.
*Adobe Bridge CS4 and Adobe Camera Raw 5 Tip*
When you grab the Crop tool ( C ) and crop a photo in Camera Raw, you can now see the final cropped image without having to open the image in Photoshop. Once your cropping border is in place, just change tools (or double-click the Crop tool icon at the top of the window), and you’ll see the cropped version (in previous versions, the cropped-away area was still visible; it was just dimmed). If you need to adjust the crop, simply switch back to the Crop tool and the cropping border reappears.
*Adobe Bridge CS4 and Adobe Camera Raw 5 Tip*
It’s now safe to use the Auto setting in Camera Raw (just click the Auto button above the Exposure slider to see). Adobe has changed the algorithm used by the auto-correction feature and now it’s actually usable (the old version used to overexpose your photos most of the time). It makes a nice starting place in many cases, so give it a quick click and see what you think.
*Adobe Bridge CS4 and Adobe Camera Raw 5 Tip*
Want to soften your subject’s skin? Then use “negative clarity” (just drag the Clarity slider to the left, to a negative number) and paint over her skin (but avoid any detail areas, such as eyes, eye-brows, lips, etc).
*Adobe Bridge CS4 and Adobe Camera Raw 5 Tip*
Want to focus the viewer’s eye on a particular area? Get the Adjustment Brush, set your Saturation to 0, and then paint over everything in your photo except where you want the viewer to look. This makes everything grayscale except the area where you don’t paint.
*Adobe Bridge CS4 and Adobe Camera Raw 5 Tip*
When using the Adjustment Brush ( K ) in Camera Raw, if you click the + (plus sign) or – (minus sign) button beside an adjustment slider, you’ll notice it resets all the other sliders back to their default settings. So, if you want to apply multiple effects at the same time, click-and-drag the sliders instead of using the + and – buttons; that way the others don’t reset.
*Adobe Bridge CS4 and Adobe Camera Raw 5 Tip*
When you’re in Bridge CS4, press Command-B (PC: Ctrl-B) to access Review Mode, which looks like a sort of “carousel preview mode.” You can take the currently displayed image at the forefront over to Camera Raw by pressing Command-R (PC: Ctrl-R).
*Photoshop Lightroom 2 Tip*
Select the Adjustment Brush and choose the Soften Skin Effect. Paint over any wrinkles or blemishes and the skin will take on a much smoother appearance without looking like a Botox accident. You can also brighten teeth and eyes. Set Saturation to –100 and Brightness to 25, turn on Auto Mask, and paint the teeth and whites of the eyes to brighten them.
*Photoshop Lightroom 2 Tip*
To selectively remove color from an image (desaturate), click the Adjustment Brush tool and choose Saturation from the Effect pop-up menu (the default is setting is –100). Turn on Auto Mask and paint the colors you want changed to grayscale. If you can’t see the results, press the O key.
Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71
Recreate the text effect from the title to the new blockbuster movie.
Continue exploring the possibilities with Photoshop’s new 3D tools.
Corey shows you how to make a new photo look damaged by blending in some unusual textures.
Use Photoshop’s new 3D tools to create some dazzling background effects.
When I’m done working with an image, I like to sit and admire it (hey, I spent six hours working on it, I should). To do that, I hit the Tab key, then hit the F key three times. This hides all of the panels and toolbars and lets you see the image by itself surrounded by black. To get back to regular mode, press the F key and the Tab key one more time.