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Just like most page-layout applications, Photoshop has non-printing guides you can pull out anytime you need to align objects or type, but there’s also a trick for flipping the guides. To access the guides, make your rulers visible by pressing Command-R (PC: Control-R), then click-and-hold within one of the rulers and drag out a guide. If you pull out a horizontal guide from the top ruler, but really wanted a vertical guide, just press the Option key (PC: Alt key) as you drag and your guide will flip from horizontal to vertical (pretty slick). You can pull out as many guides as you need (there’s probably a limit to how many you can use, but we’ve never reached it). When you’re done using a guide, just use the Move tool (V) to drag it back to the ruler where it came from. To remove all of your guides at once, choose Clear Guides from the View menu.
This is a great tip for quickly finding the exact center of any object on its own layer. You start by pressing Command-T (PC: Control-T) to bring up the Free Transform bounding box. The bounding box has a handle in the center of both sides and center handles at both the top and bottom. Now all you have to do is make Photoshop’s rulers visible (Command-R [PC: Control-R]), and then drag out a horizontal and a vertical ruler guide to these handles to mark the center. Better still, if you have the Snap command active in the View menu, the guides will snap to the center of your object as you drag.
Photoshop lets you affect a brush stroke even after you’ve painted it by using Photoshop’s Fade command (found under the Edit menu). Fade works like “undo on a slider,” and dragging the Opacity slider all the way to the left will completely undo your freshly painted brush stroke, but if you stop anywhere before the far-left side, it will instead simply lighten the stroke. You can also use the Mode pop-up menu to alter how your stroke blends with the object below it.
Now that you’ve learned how to bring up the Brush Picker right where you want it, it wouldn’t hurt to learn this quick navigation tip to keep you from spending more time there than necessary. Once you’ve selected a brush in the Picker, just use the Arrow keys on your keyboard to navigate up, down, left, or right to other brushes in the Picker. Once you choose a brush and you are no longer in the Brush Picker, you can use the Period and Comma keys to move forward and backward through the different brushes. Shift-Comma and Shift-Period will jump you to the first and last brushes in the Brush Picker, respectively.
Here’s a tip that gives you a faster and more convenient way to switch to another preset brush without using the Brushes palette—and you might find that you like it even better. Just press the Control key, then click within your image (PC: Right-click) and the Brush Picker will appear directly under your cursor. Plus, you can even change the Master Diameter of the brush that you choose in the Picker. This is one you’ll have to try to appreciate the sheer speed and convenience of putting your brushes at your fingertips anytime.
You probably already know that you can add a brush to the Brushes palette, but did you know that it’s even easier to delete them? Just hold the Option key (PC: Alt key) and you’ll notice that your cursor changes into a pair of scissors. Click once on the brush you want to delete and that baby’s gone—no warning dialog, no chance to change your mind—it’s gone.
If you have a specific angle that you’d like to rotate a layer to, it’s easy. Get the Measure tool (it looks like a ruler and is in the Eyedropper tool’s flyout menu in the Toolbox), and click-and-drag out a line at the desired angle. Then go under the Edit menu, under Transform, and choose Rotate. Your layer will instantly rotate to match the angle that you drew with the Measure tool. Note: To rotate the Background layer, you must first select it (Command-A [PC: Control-A]).
In Photoshop CS2 you can increase or decrease the size of your brush by 10 pixels by pressing the Left or Right Bracket keys when the Brush tool (B) is selected. Once your brush is more than 100 pixels in size, it then moves in 25-pixel increments; if you go higher than 200 pixels, it moves in 50-pixel increments until you reach 300 pixels, at which point it moves in 100-pixel increments.
While we’re talking Curves, by default the Curves dialog displays a 25% grid. If you’d like a finer grid, you can Option-click (PC: Alt-click) once within the grid, and it will then display a 10% grid.
Let’s say you’re using the Curves dialog for correcting images and you have an image where you’re trying to adjust the color of some green plants. How do you know where that particular green “lives” on the curve so you can dial in and adjust it? Photoshop can tell you—in fact, you can have Photoshop automatically plot that color on the curve for you. With the Curves dialog open, just Command-click (PC: Control-click) on that color within your image. Photoshop will then add a point to the curve that represents the spot you sampled, and now you’re ready to tweak it.
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Continue exploring the possibilities with Photoshop’s new 3D tools.
Corey shows you how to make a new photo look damaged by blending in some unusual textures.
Use Photoshop’s new 3D tools to create some dazzling background effects.
In the second part of this tutorial, Corey finishes creating this illustration of a striking match.
In Bridge, you can add keywords to images to make searching for pictures a little less cumbersome. You don’t, however, want the process to become tedious as well. By either Command-clicking (PC: Ctrl-clicking) or Shift-clicking on images, you can select multiple files inside Bridge. Once you have the files selected, you can go to the Keywords panel and turn on any keyword you like. This will apply the keyword to all of the files that you have selected. It takes away a little bit of the pain of categorization, but just a little.