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If you’re in Bridge and you want to open a RAW photo without going through the Camera Raw dialog, just press-and-hold the Shift key and double-click on the image. It’ll bypass the Camera Raw dialog, apply the current settings to the photo, and open it in Photoshop.
If you ever want to get back to the original settings that your photo had when you opened it in the Camera Raw dialog, just press-and-hold the Option (PC: Alt) key. You’ll see the Cancel button at the bottom right of the dialog change to Reset. Just click that and you’ll be taken back to the settings you had when you first opened the photo in Camera Raw.
Want a cool tint formula for a black and white? First, when you’re in Camera Raw, go to the HSL/Grayscale tab and turn on the Convert to Grayscale checkbox. Then, go to the next panel to the right (Split Toning) and use this formula:
Highlights: Hue=37, Saturation=24
Shadows: Hue=40, Saturation=26
Go ahead and try it. It works especially well on urban still life photos. I can’t explain it, but it just looks cool.
Camera Raw has a Straighten tool to straighten your photos. What a lot of people don’t know is that if you don’t have a perfectly horizontal surface, such as a horizon line, to straighten your photos with, you can click-and-drag along any vertical surface. See, horizontal surfaces aren’t always perfectly horizontal because of perspective. However, a vertical surface is always vertical, so it’s a good guideline to go by.
Starting with Camera Raw 4.1, you can now open and process JPEG photos in the Adobe Camera Raw dialog. If you’re in Bridge, select a JPEG photo that you want to edit. Then go to the File menu and choose Open in Camera Raw. You can also just press Command-R (PC: Ctrl-R) instead of going through the menu.
Camera Raw 4.1 introduced some killer new sharpening sliders that let you get a lot more sharpening work done before you ever even get into Photoshop. One cool trick when using the sliders is to press-and-hold the Alt (PC: Option) key when you drag them. This lets you see a grayscale image preview of that specific sharpening setting.
As you work on a photo in Camera Raw, you’re undoubtedly going to want to see what it looks like in comparison to the original. Well, Camera Raw doesn’t really have a side-by-side preview, but here’s the next best thing: When you’re in Camera Raw, there’s a Preview checkbox at the top right of the image preview. You can turn it on to see your changes or turn it off to see the before view of your photo. However, that’s kind of lame. Instead, just hit the letter P to toggle the preview on and off.
If you’ve created a multi-layered document and you’d like to create separate documents from those layers, there’s an automated way to do this. From the File menu, choose Scripts>Export Layers to Files. A dialog will appear offering you many options, including which format you want to use, file naming, etc.
You can apply a layer style to a layer group. Simply convert the layer group to a Smart Object by clicking on the group, then choosing Convert to Smart Object from the Layers panel’s flyout menu, and all of the layer styles will be available to you.
Layer groups are a great way to collect multiple layers into one set and manipulate them. Rather than creating one set and dragging all of the layers into the set, select all of the layers first. Once the layers are selected, press-and-hold the Shift key and click on the Create a New Group icon at the bottom of the Layers panel.
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Corey has a cool trick for creating a flare brush and see how one effect can lead to another.
See how you can add some subtle touches to give that green screen studio shot the Hollywood treatment.
Corey shows how to create reflective holiday ornaments using 3D in Photoshop.
This week Corey has a cool new trick for using 3D reflections in a rather creative way!
If you have a multilayer composition and you
want to apply an effect to all the layers at once, don’t flatten the layers–use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith