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Last topic on Smart Filters: you can selectively show or hide any of the filters that you have applied to a Smart Object by painting on the mask for the Smart Filter (just click on the Smart Filter’s thumbnail, select the Brush tool, and paint with black. This takes your creativity to a completely different level.
In the olden days, you could control how a specific effect reacted to an image by choosing Edit>Fade (effect name). This would give you a blend mode option for the effect, as well as an Opacity control. The problem with this was you had no way to go back and modify that setting once it was completed. In Smart Filters, you have the option to set the blend mode and opacity of that effect, and still keep the control you need to modify it later. Just double-click on the Edit Blending Options icon that appears to the right of the Smart Filter in the Layers panel.
Gone are the days of having to use Undo for a filter. Now you can apply filters with aplomb because we have Smart Filters! The Smart Filter works much in the same way that an adjustment layer works—it places the filter in a separate layer that you can manipulate nondestructively.
To use Smart Filters, you’re going to have to turn your content into a Smart Object. Control-click (PC: Right-click) on the layer that contains the content, and select Convert to Smart Object. Once that is completed, you can go into the Filter menu and apply the filter you would like.
Once the filter is applied on the Smart Object, you will see a sublayer in the Layers panel that contains the Smart Filter. You can double-click on the Smart Filter and make any necessary adjustments or hide it by clicking on the Eye icon. There are a couple of filters that do not work as a Smart Filter: Extract, Liquify, Pattern Maker, and Vanishing Point.
You can use the Eyedropper tool to pick colors from any area of your screen. First, press the letter I to select the Eyedropper tool, then click-and-hold inside your document, and drag outside the document window onto the object you’d like to sample. Release your mouse button and the sampled color appears as your new Foreground color.
Under Photoshop>Preferences (PC: Edit>Preferences), you have an option called File Handling. In the Recent File List Contains field, you can specify how many files you would like it to remember.
To open multiple images in Photoshop CS3, you can Shift-click a series of images in the Open dialog, and then click Open. You can also select noncontiguous images by Command-clicking.
If you go to Window>Workspace>Keyboard Shortcuts & Menus, you have the option of expanding each of the menus and showing or hiding whichever command you would like. This would let you make a specific menu Set for your workspace. Once you have customized your menu, you can save it as part of the workspace by choosing Window>Workspace>Save Workspace.
Once you’ve set up your workspace exactly the way you want it, you may want to save it for later use. If you choose Window>Workspace>Save Workspace, you can enter a name for your current layout. Saving the workspace can also save your current keyboard shortcuts and current menus.
Camera Raw 4.1 has a new Presets panel. It lets you save popular or frequently used settings so you don’t have to re-create them each time (say, for a black-and-white photo). Here’s the tip: If you ever change computers, you’ll probably want to take those settings along with you. It’s not quite as easy as you’d think though. So here’s how: First go find the presets folder. On a Mac, it’s located in User:Library:Application Support: Adobe:CameraRaw:Settings. On a PC, look in C:\Documents and Settings\user\Application Data\Adobe\CameraRaw\Settings. Then copy any of the preset XMP files in there to the same folder on the computer you want to move them to. The next time you go into the Camera Raw dialog, you’ll see your new presets in the Presets panel.
The interface in Photoshop CS3 focuses on using panels for grouping all of the features that you need. If you prefer a floating panel layout, just click on the panel’s tab and drag it outside of the Panel area. This will make it a floating panel.
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Continue exploring the possibilities with Photoshop’s new 3D tools.
Corey shows you how to make a new photo look damaged by blending in some unusual textures.
Use Photoshop’s new 3D tools to create some dazzling background effects.
In the second part of this tutorial, Corey finishes creating this illustration of a striking match.
In Bridge, you can add keywords to images to make searching for pictures a little less cumbersome. You don’t, however, want the process to become tedious as well. By either Command-clicking (PC: Ctrl-clicking) or Shift-clicking on images, you can select multiple files inside Bridge. Once you have the files selected, you can go to the Keywords panel and turn on any keyword you like. This will apply the keyword to all of the files that you have selected. It takes away a little bit of the pain of categorization, but just a little.