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The sample size of the Eyedropper tool (I), found in the Options Bar, controls the size of the area that’s evaluated when it provides color and tonal feedback, but it can also affect how certain selection tools work,e.g., the Magic Wand or the Color Range command. The default Sample Size value is Point Sample, which samples a single pixel; however, this isn’t ideal for photographs, where using 3 by 3 Average or 5 by 5 Average will give you better results.
They are still there only their name has changed. Palettes no longer exist in Photoshop CS4. Officially, they are now called panels.
Flawless skin can be key to successful portraits of ladies. Make their skin creamy soft by tapping the K key in Adobe Camera Raw 5 to call up the Adjustment Brush. Set the Clarity slider to ≈40 for starters. Brush over the skin you want to smooth. Want it smoother? Drag the slider farther to the left. This is a great way to get proofs out quickly without losing gallons of time with the Healing Brush tool in Photoshop.
Want to clip your next adjustment layer before you even make it? Open the Adjust-ments panel, click the triple-black-over-white-circle icon to clip the next adjust-ment layer you choose from the panel. Now the adjustment only affects the layer immediately below it before the adjust-ment is made. Bliss!
Clipping an adjustment layer to affect only the layer below it required remembering to hold down the Option (PC: Alt) key, while hovering the cursor between the layers, until a black-over-white-circle icon appears, and then click. Now all we have to do is highlight the adjustment layer in the Layers panel and then click the third icon from the left at the bottom of the Adjustments panel (Window>Adjustments). Hooray! No more arcane keystroke/mouse moves!!!
The new Masks panel consolidates working with layer masks by putting most of the functions commonly used in one place. Show this panel by selecting Masks from the Window menu. Want to change the layer mask from its normal white reveal all to black hide all? Click the Invert button. Bonus tip: You can do the same thing from the key-board by pressing Command-I (PC: Ctrl-I).
Feather is still hidden in the Select menu under the Modify option. More useful is the new keyboard shortcut Shift-F6, which replaces the old shortcut Command-Option-D (PC: Ctrl-Alt-D). Mac users rejoice! you no longer have to give up the keystrokes to hide and show the dock to call up the Feather dialog from your keyboard. (Note: Just don’t forget to select something first!)
When the image won’t fit the page, use Content-Aware Scale to resize the background. And if you’re working with a human subject, click the Protect Skin Tones icon in the Options Bar, it will even leave the subject itself untouched. Press-ing Command-Option-Shift-C (PC: Ctrl-Alt-Shift-C) gets you there.
Okay, I’m pressing the F key to cycle through the screen modes. I’m in Full Screen Mode and poof, my panels disappear. Where are my panels? Tapping the F key twice changes from Standard Screen Mode to Full Screen Mode (View>Screen Mode). In Photoshop CS4, the panels disappear in Full Screen Mode, focusing on the photograph. Press the Tab key to reveal the panels.
Choose the Sponge tool (nested under the Dodge tool [O]) from the Toolbox. In the Options Bar (shown below), choose Saturate from the Mode menu, set the Flow to at least 50%, and then click the Vibrance checkbox. Brush over the irises and ta-dah! Brilliant irises. Bonus tip: This works for lips too!
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Corey has a cool trick for creating a flare brush and see how one effect can lead to another.
See how you can add some subtle touches to give that green screen studio shot the Hollywood treatment.
Corey shows how to create reflective holiday ornaments using 3D in Photoshop.
This week Corey has a cool new trick for using 3D reflections in a rather creative way!
If you have a multilayer composition and you
want to apply an effect to all the layers at once, don’t flatten the layers–use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith