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In most dialogs, you can use the scrubber (slider) to change measurements. To change the performance of the scrubber, try using these keys: Shift will make the scrubber jump very quickly to larger or smaller numbers and Option (PC: Alt) will slow down the scrubber to move one number at a time
Serif or sans serif? Oblique or Avant Garde? I am from more of a “Yeah, that looks appropriate” school of font usage. If you would like to cycle through your fonts to see what looks good, first commit the type. Once the type has been committed, click on the font name in the Character panel (Window>Character). With the font name highlighted, press the Up and Down Arrow keys to move through different fonts.
To change the properties of a series of Type layers, Command-click (PC: Ctrl-click) on each of the layers that you would like to adjust.
There are times that you want to see what your finished product will look like once you crop it. The best way to see that is to have a black background. To do that, once you have clicked-and-dragged out your crop border, increase the Opacity in the Options Bar to 100 percent. This will make the area to be cropped away completely black, and will allow you to see what your finished product will look like.
If you would like to crop to a specific size with the Crop tool (C), enter the dimensions and resolution you would like in the tool options up in the Options Bar. When you click-and-drag out your crop border, you will automatically constrain the crop handles to the size that you have set.
To get Photoshop back to its default Foreground and Background colors of black and white, press the D key.
To load a layer as a selection, press-and-hold the Command (PC: Ctrl) key and click on the layer’s thumbnail. If you Command-Shift-click (PC: Ctrl-Shift-click), it will add that layer to the already existing selection. If you Command-Option-click (PC: Ctrl-Alt-click), it will subtract from the selection. If you Command-Option-Shift-click (PC: Ctrl-Alt-Shift-click), it will intersect the selection.
To increase and decrease your text size, select all of your text in a type layer and press Command-Shift-< or > (PC: Ctrl-Shift-< or >). Command-Shift-< decreases the text, while Command-Shift-> increases the text.
In Bridge, you can add keywords to images to make searching for pictures a little less cumbersome. You don’t, however, want the process to become tedious as well. By either Command-clicking (PC: Ctrl-clicking) or Shift-clicking on images, you can select multiple files inside Bridge. Once you have the files selected, you can go to the Keywords panel and turn on any keyword you like. This will apply the keyword to all of the files that you have selected. It takes away a little bit of the pain of categorization, but just a little.
Sometimes navigating to whatever folder you have specific images in can be cumbersome. Save yourself some time and create favorites out of your most-used folders. To do that, Control-click (PC: Right-click) on the folder and select Add to Favorites from the contextual menu. The next time that you need to find that image, you can go to the Favorites panel and click on the folder.
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Corey has a cool trick for creating a flare brush and see how one effect can lead to another.
See how you can add some subtle touches to give that green screen studio shot the Hollywood treatment.
Corey shows how to create reflective holiday ornaments using 3D in Photoshop.
This week Corey has a cool new trick for using 3D reflections in a rather creative way!
If you have a multilayer composition and you
want to apply an effect to all the layers at once, don’t flatten the layers–use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith