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Have you ever used the Clone Stamp tool and wondered what exactly you were going to paint in the area? Wonder no more. Now you can turn on the Show Overlay checkbox at the bottom of the Clone Source panel to automatically see an overlay of the image as you would clone it. You can automatically turn this off and on by turning on the Auto Hide checkbox.
This panel has a couple of neat features for people who spend a lot of time in cloning. You can now set up a series of preset areas in the Clone Stamp tool. Simply click on one of the icons at the top of the Clone Source panel and Option-click (PC: Alt-click) on a point. That will save that location to the first icon. Click on the second icon and do the same thing. Now you can save a series of location points and go back by just clicking on the icon.
Black and white could not get any easier. Open an image. Choose Image>Adjustments>Black and White. Instead of using all of the sliders that are in the resulting dialog, click on the different areas of the image that you want to make darker or lighter and drag—left to make them lighter, right to make them darker.
If you are working with any dialog that has an OK and a Cancel option, you don’t always have to cancel out to get back to the original state of the effect. If you press-and-hold the Option (PC: Alt) key when you are in a dialog, the Cancel button will turn into a Reset button. This will give you a chance to try the effect again without having to leave the dialog.
Last topic on Smart Filters: you can selectively show or hide any of the filters that you have applied to a Smart Object by painting on the mask for the Smart Filter (just click on the Smart Filter’s thumbnail, select the Brush tool, and paint with black. This takes your creativity to a completely different level.
In the olden days, you could control how a specific effect reacted to an image by choosing Edit>Fade (effect name). This would give you a blend mode option for the effect, as well as an Opacity control. The problem with this was you had no way to go back and modify that setting once it was completed. In Smart Filters, you have the option to set the blend mode and opacity of that effect, and still keep the control you need to modify it later. Just double-click on the Edit Blending Options icon that appears to the right of the Smart Filter in the Layers panel.
Gone are the days of having to use Undo for a filter. Now you can apply filters with aplomb because we have Smart Filters! The Smart Filter works much in the same way that an adjustment layer works—it places the filter in a separate layer that you can manipulate nondestructively.
To use Smart Filters, you’re going to have to turn your content into a Smart Object. Control-click (PC: Right-click) on the layer that contains the content, and select Convert to Smart Object. Once that is completed, you can go into the Filter menu and apply the filter you would like.
Once the filter is applied on the Smart Object, you will see a sublayer in the Layers panel that contains the Smart Filter. You can double-click on the Smart Filter and make any necessary adjustments or hide it by clicking on the Eye icon. There are a couple of filters that do not work as a Smart Filter: Extract, Liquify, Pattern Maker, and Vanishing Point.
You can use the Eyedropper tool to pick colors from any area of your screen. First, press the letter I to select the Eyedropper tool, then click-and-hold inside your document, and drag outside the document window onto the object you’d like to sample. Release your mouse button and the sampled color appears as your new Foreground color.
Under Photoshop>Preferences (PC: Edit>Preferences), you have an option called File Handling. In the Recent File List Contains field, you can specify how many files you would like it to remember.
To open multiple images in Photoshop CS3, you can Shift-click a series of images in the Open dialog, and then click Open. You can also select noncontiguous images by Command-clicking.
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Corey shares another way to get a cool 3D light beam effect.
Corey finishes up the Olympic-inspired design that he began last week in Part 1.
The Olympic-inspired tutorial will be coming in two parts. Stop by next week for the conclusion to this video.
This week’s tutorial deals with creating masks for complicated images by using channels.
You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).