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To increase and decrease your text size, select all of your text in a type layer and press Command-Shift-< or > (PC: Ctrl-Shift-< or >). Command-Shift-< decreases the text, while Command-Shift-> increases the text.
In Bridge, you can add keywords to images to make searching for pictures a little less cumbersome. You don’t, however, want the process to become tedious as well. By either Command-clicking (PC: Ctrl-clicking) or Shift-clicking on images, you can select multiple files inside Bridge. Once you have the files selected, you can go to the Keywords panel and turn on any keyword you like. This will apply the keyword to all of the files that you have selected. It takes away a little bit of the pain of categorization, but just a little.
Sometimes navigating to whatever folder you have specific images in can be cumbersome. Save yourself some time and create favorites out of your most-used folders. To do that, Control-click (PC: Right-click) on the folder and select Add to Favorites from the contextual menu. The next time that you need to find that image, you can go to the Favorites panel and click on the folder.
If you have multiple shots of the same subject and would like to be able to group them, image stacks are a good idea. Either Shift-click or Command-click (PC: Ctrl-click) on the images that you would like to group and press Command-G (PC: Ctrl-G). This will create a stack of the images. You can expand the stack by pressing Command-Right Arrow (PC: Ctrl-Right Arrow) or collapse the stack back into itself by pressing on Command-Left Arrow (PC: Ctrl-Left Arrow).
While working in the Vanishing Point filter, you can create a multi-plane grid and return the part of the image contained in the grid back to Photoshop as a 3D layer (choose Return 3D Layer to Photoshop from the flyout menu). Once it is a 3D layer, you can move the object around in three dimensions using Photoshop’s 3D tools.
The Dodge and Burn tools got a big enhancement in Photoshop CS5. They actually work like we think they should now and you’ll get very good results with them. There is one trick though. When you select the Dodge or Burn tools, take a look in the top Options Bar and make sure you have Protect Tones turned on. This protects some of the key tones in your photos while dodging and burning (mainly the skin) and makes the tools work a lot better. If it’s turned off you’ll end up getting the not so great results those tools used to yield in previous versions of Photoshop.
When you create a grid box inside Vanishing Point, in addition to having the option of returning that grid back to Photoshop as a 3D object, you also have the option of exporting it as a 3D object that you can import into After Effects CS5 and manipulate in a 3D layer. Just click on the small right-facing triangle in the top of the dialog, and in the flyout menu choose Export for After Effects (.vpe).
If you have imported a 3D object that has a texture applied to it, that texture will show up as a sub-layer with your 3D layer. To modify or replace the existing texture, simply double-click directly on the texture name in the Layers panel. A dialog will open with the 2D texture. Make whatever changes you need, then close and save the document. Just like a Smart Object, it will update automatically in the main document.
When using the Analysis tools in Photoshop, you will need to establish the scale of measure. Go under the Analysis menu, choose Set Measurement Scale, and select Custom. You have three settings to modify: Pixel Length, Logical Length, and Logical Units. An example would be if you know your document is 100 pixels wide, you would enter 100 in the Pixel Length field. Then, if you know that 100 pixels equal an inch, you would enter 1 for Logical Length. Then type inches for Logical Units. Now you have set the Measurement Scale to measure every 100 pixels as one inch.
In Vanishing Point, you can take advantage of the new measurement tools by measuring something in three dimensions. You simply grab the Measure tool (R) and click between two points. Then in the top of the dialog, enter an establishing value in the Length field. This value will be what all other measurements will be based on. You can then render these measurements to Photoshop from Vanishing Point’s flyout menu. TIP: You may want to use a blank layer before going into Vanishing Point because when measurements are rendered, they appear on the currently active layer.
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Corey has a cool trick for creating a flare brush and see how one effect can lead to another.
See how you can add some subtle touches to give that green screen studio shot the Hollywood treatment.
Corey shows how to create reflective holiday ornaments using 3D in Photoshop.
This week Corey has a cool new trick for using 3D reflections in a rather creative way!
If you have a multilayer composition and you
want to apply an effect to all the layers at once, don’t flatten the layers–use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith