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Adobe adds Raw support for 13 more cameras

Adobe has released its Camera Raw v3.6 plug-in for Adobe Photoshop CS2. The new version of the plug-in supports 13 additional cameras including models from Canon, Fuji, Nikon and Panasonic. Continue Reading »

Photoshop Lightroom Beta 4.1 released

Adobe has released Photoshop Lightroom Beta 4.1, an update to its software created for professional photographers as an efficient way to import, select, develop, and showcase large volumes of digital images. Photoshop Lightroom Beta 4.1 includes new general, Filmstrip, Import, Export, Library, Develop, Slideshow, and Web features. The latest revision also includes 10 bug fixes addressing issues with the original Beta 4 build. Photoshop Lightroom Beta 4.1 is available for download from Adobe.com, and will expire on February 28th, 2007. The software requires Mac OS X 10.4.3 or later.

New Signature ‘Ultra Hi-Definition’ Line of Photo Printers

Epson is now shipping its new signature Ultra Hi-Definition line of photo printers in the U.S., designed to bring professional-level print technology to home photo enthusiasts, with the fastest six-color 4″x6″ photo printing in the industry. Featuring a professional print head and superior new ink formulation called Claria™, the Epson Stylus® Photo R260 and R380 photo printers, along with the Epson Stylus Photo RX580 photo all-in-one, deliver faster photo print speeds than any previous Epson model, and offer nearly three times the photo print speeds of comparable HP models.(1) The new Epson Ultra Hi-Definition product line is engineered to set a new standard in the ink jet photo printer category, providing print quality and longevity that is superior to lab photos. Continue Reading »

Un-filling For Fun And Profit

Back in Photoshop 7.0, Adobe brought a once-buried command front and center when they added the Fill option to the Layers palette. This isn’t your average everyday fill. No sir, this is a special freaky fill that only works when you’ve applied a layer style to a layer. To see it in action (and immediately understand its power), create some text, and then apply a drop shadow. Lower the regular Opacity of this layer, and you’ll notice that both your type and the shadow fade at the same time. Now raise it back up to 100%. Then lower the Fill amount (in the Layers palette) and you’ll notice that the type fades away, but the drop shadow stays at 100%. Ahhhhh. Makes you stop and think, doesn’t it?

Selecting Just One Object On A Layer

If you have multiple objects on the same layer (like a few rows of type that have already been rasterized) and you want to select just one item on that layer (for example, you want to put a selection around one letter so you can move it independently of the rest of the letters), here’s how: Use any selection tool to create a loose selection around the object. Hold the Command key (PC: Control key), and then press the Up Arrow key once and the Down Arrow key once. The entire object will become perfectly selected without distrubing anything else on the layer. Now you can move it, edit it, or tweak it separately because it is a “floating selection.”

Logitech Extends NuLOOQ Support

Logitech (SWX: LOGN) (NASDAQ: LOGI) today announced that its award-winning NuLOOQ navigator™, originally released with support for the Mac® OS and Adobe® Creative Suite® 2 as part of the NuLOOQ™ Professional Series bundle is now available unbundled and with added support for Windows® XP, and a host of additional applications. The NuLOOQ navigator is an innovative device used in conjunction with a mouse and a keyboard that allows people to better navigate and manipulate graphics and multimedia files. It significantly reduces repetitive use of shortcut keys or palette access typically needed to navigate images and documents, or to adjust values such as brush size, font size and even volume.

HP Transforms Color Experience for Graphics Professionals

HP announced it is changing the way graphics professionals create large-format images with the unveiling of the HP Designjet Z Photo Printer Series.

Continuing to expand its professional printing portfolio, HP is leveraging its pigment ink technologies developed for the HP Photosmart Pro B9180 to create the first large-format printers employing HP’s Scalable Printing Technology. Continue Reading »

Quark Releases QuarkXPress 7 Update

Quark Inc. announced today the release of QuarkXPress 7.02, the latest update to QuarkXPress 7, which includes the highest level of flexibility and reliability for QuarkXPress software users. The release will provide new, up-to-date functionality, including license-transfer features and typographic support for new languages as well as resolution of the most important issues reported by customers since the product shipped. Continue Reading »

Expanding Rectangular Selections

If you’ve ever tried to expand a rectangular selection by more than five or six pixels, you know what happens. The crisp, sharp-edged corners that you start off with become rounded. Here’s the fix: Don’t use the Expand command (found under the Select menu, under Modify). First, make your selection and press Command-T (PC: Control-T) to bring up the Free Transform bounding box. Go to the Options Bar and Control-click (PC: Right-click) in the Width and Height fields to change the measurements from Percent to Pixels. Now, simply add the amount of pixels you want to expand to the existing number. For example: If the field reads 110 pixels, and you want to expand it by 10 pixels, enter 120 pixels in the field and press Enter to apply the transformation. Don’t forget to change both the Width and Height fields. That’s it—perfectly expanded corners.

Rendering Text In Just One Click

If you need to convert your Type layer into an image layer, you can save some time by simply Control-clicking (PC: Right-clicking) directly on the Type layer name that appears in the Layers palette. A contextual menu will appear where you can choose Rasterize Type to instantly render your type.

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Open in Camera Raw from Bridge

You can open RAW images in Camera Raw right from Bridge in Photoshop CS3. This frees up Photoshop to continue working on your files while they’re being processed in Camera Raw. Just select one or more images in Bridge, Control-click (PC: Right-click) on them, and choose Open in Camera Raw. This will open the image(s) in Bridge’s Camera Raw rather than Photoshop. You can also use the keyboard shortcut Command-R (PC: Ctrl-R).

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