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When preparing a tutorial, a screenshot for a book or magazine article, or an illustration for a technical document, it’s not uncommon to identify a critical area with a circle or a square. Continue Reading »
Sometimes a drop shadow needs to fall on only part of the layer or layers below. Continue Reading »
It sounds easy, doesn’t it? Duplicate one layer’s layer mask on another layer. It is easy but only if you know the technique. A layer mask is a channel that determines the visibility of the content of that particular layer. Continue Reading »
There are almost as many ways to minimize red eye using Photoshop as there are people using Photoshop. Continue Reading »
Sometimes you need to make it appear that the content of one layer appears both in front of and behind another layer. Continue Reading »
There are lots of ways to make a photograph look like a painting. Here’s another one that simulates painted strokes by blurring dark areas of the image and sharpening lighter areas. Continue Reading »
More often than not, a digital photograph isn’t shaped to fit your picture frame. Most digital images have an aspect ratio of 3:2, while common picture frames are 5:4 (4×5″ and 8×10″) or 7:5 (5×7″). Continue Reading »
An interesting background effect, suitable perhaps for a Web interface or layering for a “Eurocollage” image, can be created by separating elements of a black-white-black gradient to individual layers, then using reversed bevels. Continue Reading »
Fill a swimming pool with water in seconds! Well, create the appearance of a swimming pool filled with water in Photoshop in just four steps. Continue Reading »
The mode of an image can be completely changed by adding rain. Whether a driving storm or a few drips, it takes just a few steps to produce perfect precipitation. Continue Reading »
Using a gradient and the Render> Difference Clouds filter, we can quickly create a number of different types of backgrounds. Continue Reading »
Photoshop makes it easy to create a single image that contains different versions of the same original. In this example, we’ll borrow a page from Andy Warhol and create four different monotone versions of a photograph, combined into a single image. Continue Reading »
Changing hair color is often simply a matter of adding a Hue/Saturation adjustment layer. However, when the hair needs substantial lightening, such as when converting from brunette to blond, the Selective Color command may be more effective. Continue Reading »
It’s simple to convert a square picture to a round picture by simply making a circular selection and adding a mask. Continue Reading »
It’s happened to most of us at one time or another. We drag a layer from the layers palette to the window of another image to copy it and –surprise!– it’s WAY too big. Here’s a way to make sure that doesn’t happen again. Continue Reading »
Here is an unusual way of using the Smudge tool to generate interesting halftone streaks.
Now this is something that still seems to stump people in Photoshop when it come to Layer Styles.
Learn how to add excitement and energy to your photo in just a few simple steps.
Here is a cool way to use parts of you photos as abstract design elements.
In previous versions of Photoshop, you could only use the Eyedropper tool to sample a color from other open images in Photoshop, but for some reason, ImageReady had a supercharged Eyedropper. If you clicked the mouse button within your image and held it down, you could leave your image window and sample colors from, well… just about anything—including your computer desktop or any other open application. Freaky! Fortunately, Adobe finally added this same power to Photoshop’s Eyedropper tool.