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Step-and-Repeat in Photoshop

“Step-and-repeat” is the term used for the process of duplicating an object and spacing. Continue Reading »

Portrait Toning Adjustments

Sometimes the lighting for an image is just a little bit off. Perhaps it’s unbalanced, or there’s a shadow Continue Reading »

Bleeds and Crop Marks from Photoshop

Page layout programs, such as InDesign, and illustration programs, like Illustrator, can easily handle “bleeds” Continue Reading »

Printing Separations in Color

It’s easy to see individual channels in color in Photoshop’s Channels palette Continue Reading »

Select Hair by Using Channels

Selecting fly-away hair can be one of the toughest assignments in Photoshop. The Extract command can be helpful. Continue Reading »

Compound Paths: Creating a Gear

Photoshop’s Pen and Shape tools are incredibly powerful tools, especially when creating complex compound paths by intersecting paths. To see how this works, let’s create a gear in Photoshop. Continue Reading »

Color Picker Versatility

The vast majority of the time, the vast majority of us use Photoshop’s Color Picker in the default configuration. Continue Reading »

Eliminate Noise with the Color Replacement Tool

Although it’s not the purpose for which it was designed, the new Color Replacement tool in Photoshop CS is an incredibly efficient way to remove digital noise from photos. Continue Reading »

Dashed Lines in Photoshop

While Photoshop doesn’t offer a dashed line option, such as that found in Illustrator’s Stroke palette, you can easily simulate them by editing a brush in the Brushes palette. Continue Reading »

Working with Spot Color Channels

Spot colors can be used with CMYK or Multichannel documents intended for print to add additional colors, create “bump plates,” and to control varnishes. Continue Reading »

Duotone vs. Multichannel, Part 2

In the first installment of this series, we looked at duotone color mode, how it works, and how you can control it. Continue Reading »

Duotone vs. Multichannel, Part 1

A great way to save on your printing costs is to use two inks instead of four. Continue Reading »

Focus on Sharpening, Part 3

In the first two parts of this series, we looked at the theory of sharpening and the commands and tool available in Photoshop. Continue Reading »

Focus on Sharpening, Part 2

In the first installment of this series, we looked at the theory of sharpening and how it works. Continue Reading »

Focus On Sharpening, Part 1

It’s generally understood in the Photoshop world that almost every image can benefit from judicious sharpening. Continue Reading »

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RGB Flesh Tones: Getting The “Red” Out

If you’re working on an RGB image and you’ve done your basic color correction but the flesh tone in your image still seems too red (a common problem), here’s a tip to fix it fast. First, select the flesh tone areas in your image (using the Lasso tool, etc.). Add a slight feather by going under the Select menu and choosing Feather. Enter a 1-pixel feather for low-res images; 3-5 pixels for high-res images. Go under the Image menu, under Adjustments, and choose Hue/Saturation. From the Edit pop-up menu, choose Reds. Now lower the Saturation slider until your skin tones look more natural and click OK.

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