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Let’s just do something really simple this week. I have had the task of taking a number of photos for work these past few weeks as we ramp up the launch of our new web site. Continue Reading »
I have been using the Hue and Saturation Adjustment tools that Photoshop provides for a long time. Usually I am just making overall image adjustments, but from time-to-time there is a specific area of an image that needs adjustment when the rest of the image should stay the same. Continue Reading »
What happens if you can’t find that perfect photograph? What if you want to make things a little bit more active than they are in the stock photo? Here is a little technique that should help you in those circumstances. Continue Reading »
This week let us learn a little technique I like to call the pixellated blur. I don’t really call it that, but I had to call it something for the purposes of this tutorial. Really, I don’t call it anything at all. Anyway, on with the tutorial. Continue Reading »
Along with a bunch of new features, which we will be discussing over the next few weeks, Photoshop 7 has created a more powerful brushes system. Continue Reading »
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Here is an unusual way of using the Smudge tool to generate interesting halftone streaks.
Now this is something that still seems to stump people in Photoshop when it come to Layer Styles.
Learn how to add excitement and energy to your photo in just a few simple steps.
Here is a cool way to use parts of you photos as abstract design elements.
In previous versions of Photoshop, you could only use the Eyedropper tool to sample a color from other open images in Photoshop, but for some reason, ImageReady had a supercharged Eyedropper. If you clicked the mouse button within your image and held it down, you could leave your image window and sample colors from, well… just about anything—including your computer desktop or any other open application. Freaky! Fortunately, Adobe finally added this same power to Photoshop’s Eyedropper tool.